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Harmonica Supplement B - scores and backing tracks

Harmonica Supplement B – scores and backing tracks

January 20, 2018 by Steve Lockwood

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Supplement B – Major Diatonic
 Out now – Songs for the ‘Lee Oskar’ harmonicas
Arranged by Steve Lockwood
NB. All songs have backing tracks without harmonica
Blowing in the Wind—Bob Dylan
Eight Days a Week – Beatles
It Ain’t Me Babe—Bob Dylan
King of the Road—Roger Miller
My Girl—Smoky Robinson
My Boy Lollipop—Rob Spencer
House of the Rising Sun—Trad
Wonderful Tonight—Eric Clapton
Sugar—The Archies
Need My Baby—Big Walter
Embellishments – Steve Lockwood
Use a C Major diatonic for this CD/download

Find the note – Diatonic – Free Aural Test

July 13, 2016 by Steve Lockwood

Play the tracks on shuffle to try to ‘find the note’.

This audio CD uses a Lee Oskar

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steve-lockwood-live-at-the-bank

Live At The Bank

June 27, 2016 by Steve Lockwood

This audio CD/download uses a variety of Lee Oskar harmonica harmonicas in various keys

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Melody-Maker-lower-thirds

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“The important thing is to feel your music, really feel it and believe it” Ray Charles (musician)

‘Live At The Bank’ is three consummate musicians believing and feeling a compilation of some of their favourite tunes, from jazz and blues through to country and rock ‘n’ roll. It is a throwback to the era of live musicians playing their best and capturing the performance ‘as heard’ on the day. Recorded entirely on location, in one take and with no overdubs or additions, this album in many ways reflects the values and traditions of the era of many of its compositions.

Harmonica virtuoso Steve Lockwood has been playing for over 30 years, and he met Ed Graham 10 years ago when Ed knocked on his door to learn harmonica. Ed would often drop hints that he also played piano and eventually Steve invited him to join him on a gig. The result was electrifying and they have been playing together both as a duo and with larger ensembles, traveling around the UK doing gigs and harmonica workshops. One trip included Ed and Steve teaching 200 people at a conference in Monte Carlo. Ed not only plays meticulous piano grooves with a deft touch but also combines this with foot percussion and backing vocals, and he has been known to play counterpoint harmonica at the same time. It is like having several musicians in one incredible action-packed individual.

Dave Lockwood was introduced to the duo in 2015. It is not easy to join an established act, but Dave Lockwood amazed everybody with his tasteful, subtle touches in supporting parts, contrasted with soaring melodic solos over blues — how amazing a guitarist can be when he has talent, taste and startling technique! Steve, Ed and Dave are all experienced players and improvise with ease in any genre, from sophisticated jazz and tight funky grooves, to pop and country — the after-gig compliments are always shared out over the whole group.

The music on this album brings together instrumentals and vocal numbers, captured expertly by Dave Lockwood in high-resolution multitrack format and then mixed down with a minimum of studio processing — the tonality of the instruments and the dynamics are those of the players on the night. Rarely does a live album live up to the actual experience of ‘being there’, but you can almost feel the delight and excitement in the room as all three of these top professionals deliver at the top of their game. On this occasion, three stylish musicians were able to combine with a stylish venue in the form of ‘The Bank’ in Willingham, Cambridgeshire. Originally a financial bank, it has recently been refurbished as a traditional village micro-pub. The Bank’s audience were all very much part of the event and listened intently to every mouth-watering note.

Interest at the Bank

The concert took place on 24th April 2016, with an afternoon and an evening show, organised by Bank proprietors Chris and Linda Warren with Steve Lockwood. The evening concert was sold out three months in advance with the lunchtime gig soon after, and this album combines the best songs from both shows recorded on that day. It all started with equipment load-in at 09:30am and finished at 10:30pm, 13 hours later — a long, tiring, but ultimately unforgettable day for all those who took part.

Line-up

Steve Lockwood: Harmonicas, vocals

Ed Graham: Piano, percussion, backing vocals

Dave Lockwood: guitar

CD and poster design – Matt Edwards

LATB CD Poster version 2

Photos supplied by:

Front Cover

Guitar, Harmonica & Piano – Steve Lockwood

Ed Graham – Jonny Slater

Steve Lockwood – Oliver Cross

Dave Lockwood – David Thrower

Back cover

Steve Lockwood – Graham Losh

Inside cover

Group shot one – Oliver Cross

Group shot two – Neil Barker

Steve Lockwood – Oliver Cross

Recorded live at The Bank, Willingham, 24th April 2016

© Ten Hole Records

Engineered and mixed by Dave Lockwood

Recorded entirely ‘on the night’ with no overdubs or additions.

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Between The Tracks

June 27, 2016 by Steve Lockwood

This audio CD/download uses a variety of Lee Oskar harmonica harmonicas in various keys

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Spark-spitting, genre bending nu-blues–country-rock’n’roll-soul….Steve Lockwood, singer, songwriter & instrumentalist, has spent 30 years and 4,000 gigs testing the boundaries of harmonica playing and creating songs which make you dance, make you think and make you  move.

 

Between the Tracks showcases stories and themes from Steve’s extraordinary career as a frontman, singer and songwriter, from busking on the streets of Cambridge to recording with a symphony orchestra.

 

Steve says “For me this album is a journey. It’s eclectic because I love so many different types of music, but the unifying theme is travelling:  going out, searching for something, for the thing you need, and when you find it, bringing it home.”

 

Steve has packed a huge amount into his career as a singer and harmonica player, touring round the world with his own bands and performing with acts from Larry Adler to Screaming Lord Sutch and Chris Difford.  As an in-demand session player, he has recorded with both the Royal Philharmonic and Prague Philharmonic Orchestras.

 

While 4,000 gigs and 100 albums speak for themselves as a tribute to Steve’s ability, in the 1990s Steve decided to study for a degree in music and graduated from Anglia Ruskin University Cambridge, specialising in harmonica.  He now combines playing and touring with teaching and mentoring new artists.

 

Steve Lockwood has played on over 100 albums but Between the Tracks is his first solo release. “I have no fear of crossing musical boundaries,” says Steve. “Every track on the album is different. It’s a musical variety box with something for all tastes, from dark-centred trip hop to the smooth Caramel.”

Between The Tracks Poster

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‘Between the Tracks’ reviewed by Richard Archer – The Shivers
Train Calling
I like the arrangement on this – banjo, fiddle etc. It reminds quite a bit of how JJ Cale would open an album (“Call Me the Breeze” etc). I think it’s a great idea to open with the solo harmonica as it kind of sets out the stall and says whose album it is!
Travellin’
Very Chicago-blues sounding. A good tune. Nice to give the electric guitar a brief moment to stretch out but I also like it being reigned in too.
Caramel
This is very beautiful tune which I could almost see being a jazz standard for future generations. It makes me think of tunes like “Autumn Leaves”. It’s also a tune that creeps up you a little bit which I quite like – you don’t notice how far into the song you are as a listener. It’s very subtle!
I Like To Move 
An unexpected diversion when you consider the style of the rest of the album. I wasn’t expecting to hear any reggae. It’s a nice song with an odd middle section. I like the arrangement – the trading of riffs between the harp and fiddle in the solo bit of the song was a nice touch and brass sections are always pretty cool.
Cajun Twist
Ry Cooder-ish charm aplenty on this track. It’s very moody, which always appeals to me and I particularly like the rhythm-heavy bit at the tracks end. You’re playing the harp like it was the drums! Nice sharp ending too.
Milonga
This was unexpected too. It feels like Portishead but probably a bit lighter in touch, which (for me at least) is a good thing because I always found the trip-hop genre to be uncomfortable listening. I like the harp wailing on this one too– it reminds me of ‘Once Upon A Time in the West’.
Like A Boomerang
A sunny tune. On this song only, your singing intermittently reminds me a bit of Paul Heaton (Housemartins)! Nice brass arrangement too.
Summertime
It’s a very gentle arrangement this is – when the plucked strings enter and at various parts of the song, its sounds as if they might grow or swell to take over the arrangement but they never actually do which is clever. I like the opening harmonica licks which are frantic without being discomforting. It all flows beautifully.
I particularly like the spacey bit in the middle where everything stops but the harmonica – there something echoey lurking about in the background which gives it a proper atmospheric edge. It really is a fresh take on an old standard and I would say it is one of the best versions of this that I have heard. It also feels as though this is the centrepiece of the album.
Old Sage McGraw
Great piano playing on this track and a nice sneaky key change during the solo. Or at least I think there is!
Stonefox
This sounds like the sort of music that would have been used as the backing for early house music (i.e, when it was good). It seems like the most straightforward showcase or display of your technical ability on the CD and is welcome because there is a great deal of discipline on all of the preceding tracks and it’s good to have some tracks which you lead definitively (Summertime is a definite showcase track too). The change in key is, like the previous track, seamless.
Intro 414
When I hear this I am reminded of all the quiet bits on Led Zeppelin albums (Black Mountain Slide etc). A lovely guitar riff that – probably my favourite guitar riff on the album. That sleepy kind of blues harp is my own personal favourite kind of harp too
Epiglitoris
A strong ending to the album
The whole album is fantastic –It just sounds very natural, well-produced and a great introduction to what you do.
I like the excursions into styles that don’t normally associate with harmonica and they flow well with the more traditional blues and jazz numbers. It’s also a fantastic showcase for your supporting musicians, who have brought a great deal of their own personalities to the mix.
My favourite tracks are ‘Caramel’ (which I’m now thinking that in another arrangement could even sound like Nat King Cole!), Cajun Twist, Summertime and Intro 414.
Steve Lockwood CD Cover Workshop 1

Harmonica Workshop 1 – Steve Lockwood

January 1, 2001 by Steve Lockwood

Ten-Hole-Records-Logo

Click to order this workshop on CD or download below:

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This audio CD/download uses a Lee Oskar harmonica in C

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This workshop contains the following audio tracks:

  1. Introduction
  2. Train
  3. Train doubled
  4. Whistle
  5. Skip lick
  6. Train full version
  7. More train rhythms
  8. Blues run down
  9. Major /minor/pent Scales
  10. Mary’s lamb in three keys
  11. Feelings
  12. Morning has broken
  13. Hallelujah explained
  14. Hallelujah backings
  15. Embellishments
  16. Blues scale
  17. Blues scale exercises
  18. Minor Blues scale
  19. Minor Blues exercises
  20. Blues Lick—Red rooster
  21. Blues Lick—Trill
  22. Pitch bends
  23. Skips
  24. Call & answer blues
  25. Blues solo & draw 3 versions
  26. Blues backing track
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